History Of The Andijan Polkasi

Authors

  • Usmanova Gulasal Normuhammad qizi UzDHA, Head of the Department of “Head of Choreographic Teams”, Doctor of Philosophy in Art History (PhD)

DOI:

https://doi.org/10.62480/zjssh.2025.vol41.pp1-5

Keywords:

Choreographer, dramaturgy, libretto

Abstract

This article provides a comparative analysis of scientific concepts aimed at studying the theoretical foundations and functions of Uzbek dance art. Theoretical ideas about Uzbek dance art are expressed on the basis of a set of scientific and theoretical views on the influence of folk traditional culture on the national dance art, a system of them, and their analysis.

References

L. Avdeeva. From the history of Uzbek national dance. (From ancient times to 2000 years of Uzbek

traditional dance art). – T. 2001. pp. 94-95.

Qodirov M.H. Theatrical art of the Temurid era. – T.: San'at, 2007. 54 p.

N. Nurjonov, B. Qobilova. Mavrigi. (Music tradition of Bukhara). – Dushanbe., 2008, p. 367.

Abdullaev V.A. History of Uzbek literature. – T., Uqituvchi, 1964. p. 100.

Rakhmonov M. History of Uzbek theater. – T., Fan, 1968. p. 27.

T. Yuldashev. A look at the history of Uzbek dance studies. Development and prospects of dance art

in Uzbekistan: social processes (Materials of the II Republican Scientific and Practical Conference).

–T., 2019. p. 19.

Karimova R. Uzbek dances. Textbook. –T., 2003., p. 121.

Downloads

Published

2025-02-08

Issue

Section

Articles

How to Cite

History Of The Andijan Polkasi. (2025). Zien Journal of Social Sciences and Humanities, 41, 1-5. https://doi.org/10.62480/zjssh.2025.vol41.pp1-5