Parallel montage and rhythm structure in the TV series Analytical study in contemporary works

Authors

  • Dyaa Kazim Hussein PhD student in Cinema and Television
  • Prof.Dr . Abdelbaset Salman Cinema and Television Department

Keywords:

parallel, montage, rhythm, series

Abstract

Montage has grown remarkably with the evolution of cinema and the productive machinery. It has achieved a steady turn in the construction of cinematic and television work and the role of parallel montage in creating a distinctive and exciting film structure that motivates the two researchers to focus on the film rhythm or rhythm in dramatic work, specifically in the contemporary television series, which we see is often in a new kind of TV drama with intensity. The montage and its significant role in dramatic construction have formed an advanced level for filmmakers and television series in terms of creating distinctive and exciting works, Since the rhythm contributes a variety of relationships between elements of the cinematographic medium via image or sound "There was a keen desire to build it with a renewed perspective, whether by designing the view to build rhythm or montage or through the montage that broke into every part of the work or through any other process in the medium, The two researchers see that the film in general creates the rhythm with a lot of elements of the film's language. such as lighting, scenery, actor, music, photography or sequence of events via scriptwriting, as well as the view that montage often decides the entire work in montage rooms, and with high-tech renewable shows that the "Parallel Montage" parallel montage "Action Parallel" He is engaged in creating tension and suspense in the recipient by building exciting and dazzling scenes, hence the researchers have built their scientific hypothesis according to the following title: - Parallel synthesis and rhythm structure in the television series - analytical study in contemporary works. The research may be of four chapters. The first was the methodological and second framework of the theoretical framework. The third was for research procedures. The quarter included analysis, findings, conclusions, recommendations and proposals, and then a summary in English .

References

Storate Krivesh, Theatre Industry, Translation by Abdullah Mu 'tasim al-Dabbagh, Maamun

Translation and Publishing House, Baghdad, 1986

Samir Sarhan, Arab Theatre and Heritage, Baghdad: Public Cultural Affairs House, 1989

Abdul Rahman Jalabi Samir, Dictionary of Expressive Terminology (Baghdad: Al-Ma 'amun

Publishing House, 1993), pp. 227.

Abdelaziz, photo philosophy, Morocco, Africa East, 2014

Abdul Malik Muryadh, in Novel Theory, Research in Narrative Techniques, Knowledge World, No.

, Kuwait, 1998, p. 172

Abdelbaset Salman, Script and Script, University House of Printing and Publishing, Baghdad 2013 p.

Adnan Madanat, in search of cinema, Beirut: Dar al-Quds, 1975

Imad Jihad Al-Nouri, Art, Science and Beauty, Baghdad, Public Cultural Affairs House, Small

Encyclopedia 275, p. 18 .

Fran Ventura Film Speech Photo Language, Public Cinema Foundation, Syria, 2012

Fulton, Albert, Cinema Machine and Art, TR: Salah Ezzedine, Cairo: 1990

Faisal Laibi Hamoud, Founder of Cykodrami Employment to Build Visual Illusions in the Film Film

Fiction, (Unpublished Master's Thesis) Faculty of Fine Arts, University of Baghdad, 2005

Lutman, Yuri, Entrance to Film Semitics, Tr: Nabil al-Dabis, (Damascus: 1990), p. 67.

Majid Abboud Al-Rabaie, Role of Form in the Redeployment of Meaning in the Structure of Image,

Unpublished Master's Thesis, University of Baghdad: 2000

Majda Salman Mohammed, Aesthetic and Intellectual Methods in Contemporary Iraqi Advertising,

unpublished master's thesis, Baghdad University, Faculty of Fine Arts 2010

Marcel Martin, Cinematic Language, Tr Saad Makawi Damascus: Publications of the Ministry of

Culture 2009

Marcel Martin, Cinematic Language, Translation by Saad Makawi (Cairo: Egyptian Public

Corporation for Writing, News and Publishing, 1964)

Marie Thérèse Gorno/Ter Faziz Bashur/As A Grand Cinematic Terminology/General Cinema

Corporation/Damascus/2007/

Michael Rapiger, Film Directing Techniques and Aesthetics, TR: Ahmed Yusuf, National

Translation Center, 2013

Group of Researchers, Aesthetics of the Place, Morocco, Córdoba Printing and Publishing House,

Downloads

Published

2022-07-01

Issue

Section

Articles

How to Cite

Parallel montage and rhythm structure in the TV series Analytical study in contemporary works. (2022). Texas Journal of Philology, Culture and History , 7, 29-37. https://zienjournals.com/index.php/tjpch/article/view/2042