Modern Uzbek Cinematography Development Issues (On the example of the Tashkent International Film Festival "Pearl of the Silk Road")

Authors

  • Ikbal Mamasadikovich Melikuziev Acting professor, Chief of department “Sound direction and cameraman skill” of Uzbekistan State Institute of Arts and Culture

Keywords:

Uzbek cinema, cinematography, historical genre, composition

Abstract

This scientific article analyzes the issues of the development of modern Uzbek cinema, studies their achievements and problems, makes the necessary suggestions and comments. In Uzbek art cinema, in the light of the current state of youth creativity, suggestions and comments will be made to eliminate existing problems.

References

Бондаренко В.А. «Современный отечественный кинематограф и теоретические принципы ОПОЯЗа», кандидатлик диссертацияси. 1-боб.

Казакова Р. Все должно быть по-человечески // Экран. 1969-1970.

Хлоплянкина Т. «Советский экран» № 19, 1966 йил.

Dr. Tadjibayeva O.K.; Melikuziev I.M.; Khusanov Sh.T., Issues of the using the Special Effects as means of Visual expression in the Cinema art. European Journal of Molecular & Clinical Medicine, 7, 2, 2020, 2204-2215.

Ikbal Melikuziev. (2020). Cinematographer’s ability in the creation of graphic image in uzbek historical films. International Journal of Advanced Science and Technology, 29(05), 1554 - 1567. Retrieved from http://sersc.org/journals/index.php/IJAST/article/view/10078

Ikboljon, M., & Tirkashaliyevich, K. S. (2019). Creative researches of young cameramen on the creation of graphic image in modern uzbek feature films. International Journal of Engineering and Advanced Technology, 9(1), 5230-5236. doi:10.35940/ijeat. A2948.109119

Ikboljon Melikuziev. (2016). Duties of a Cinematographer in Creating a Film. Journal of Literature and Art Studies, 6(7). https://doi.org/10.17265/2159-5836/2016.07.013

Khusanov, S. (2018). Poetic methodology in Uzbek cinema 60-70 s. Culture and Arts of Central Asia, 7(1), 6.

Khusanov, S., Bazarbayev, B., & Xidirova, K. (2020). Lacking professional personnels as the major issue in the “karakalpakfilm” cinema studio. International Journal of Psychosocial Rehabilitation, 24(Special Issue 1), 766–773. https://doi.org/10.37200/IJPR/ V24SP1/PR201216

Marizaeva, N. (2017). THE BASIC CONCEPTS ABOUT LIGHT AND ITS PRACTICAL APPLICATION IN FILMING. ISJ Theoretical & Applied Science, 6(50), 63-69.

Sherzod, K., & Robiya, T. (2019). “New wave” in uzbek cinema art: Expressiveness in social realism. International Journal of Engineering and Advanced Technology, 9(1), 5237-5246. doi:10.35940/ijeat. A2949.109119

Umarova, D. B. (2017). TRADITIONAL HERITAGE IN MODERN ART OF UZBEKISTAN. Modern Science, (5-2), 99-102.

Downloads

Published

2022-09-30

How to Cite

Ikbal Mamasadikovich Melikuziev. (2022). Modern Uzbek Cinematography Development Issues (On the example of the Tashkent International Film Festival "Pearl of the Silk Road"). Texas Journal of Multidisciplinary Studies, 12, 41–47. Retrieved from https://zienjournals.com/index.php/tjm/article/view/2451

Issue

Section

Articles

Similar Articles

1 2 3 4 5 6 7 8 9 10 > >> 

You may also start an advanced similarity search for this article.