The Role of Color and Composition in Miniature Art

Authors

  • Kattaev Nodirjon Saidovich The member of the association of the handicraftsman of the republic of Uzbekistan

Keywords:

Miniature art, Eastern art, Color symbolism

Abstract

Eastern miniature art is not just a form of visual art but also a means of reflecting aesthetic taste, cultural values, and historical events. In miniature paintings, color and composition play a crucial role in revealing the semantic meaning of the artwork. This article discusses the analysis of colors and the principles of composition in miniature art.

References

Grabar, O. (2006). The Mediation of Ornament. Princeton: Princeton University Press.

Ettinghausen, R., & Grabar, O. (2001). Islamic Art and Architecture. New Haven: Yale University

Press.

Bivar, A. D. H. (1998). The Art of the Sassanian Period. London: British Museum Press.

Seyidov, A. (1985). Sharq miniatyura san’ati (Eastern Miniature Art). Tashkent: Fan Publishing

House.

Nasr, S. H. (1997). Islamic Art and Spirituality. Albany: SUNY Press.

Blair, S., & Bloom, J. (1994). The Art and Architecture of Islam, 1250-1800. New Haven: Yale

University Press.

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Published

2025-04-05

Issue

Section

Articles

How to Cite

The Role of Color and Composition in Miniature Art. (2025). Texas Journal of Philology, Culture and History , 41, 1-3. https://zienjournals.com/index.php/tjpch/article/view/6063