##plugins.themes.academic_pro.article.main##
Abstract
Eastern miniature art is not just a form of visual art but also a means of reflecting aesthetic taste, cultural values, and historical events. In miniature paintings, color and composition play a crucial role in revealing the semantic meaning of the artwork. This article discusses the analysis of colors and the principles of composition in miniature art.
Keywords
Miniature art
Eastern art
Color symbolism
##plugins.themes.academic_pro.article.details##

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
How to Cite
Kattaev Nodirjon Saidovich. (2025). The Role of Color and Composition in Miniature Art. Texas Journal of Philology, Culture and History, 41, 1–3. Retrieved from https://zienjournals.com/index.php/tjpch/article/view/6063
References
- Grabar, O. (2006). The Mediation of Ornament. Princeton: Princeton University Press.
- Ettinghausen, R., & Grabar, O. (2001). Islamic Art and Architecture. New Haven: Yale University
- Press.
- Bivar, A. D. H. (1998). The Art of the Sassanian Period. London: British Museum Press.
- Seyidov, A. (1985). Sharq miniatyura san’ati (Eastern Miniature Art). Tashkent: Fan Publishing
- House.
- Nasr, S. H. (1997). Islamic Art and Spirituality. Albany: SUNY Press.
- Blair, S., & Bloom, J. (1994). The Art and Architecture of Islam, 1250-1800. New Haven: Yale
- University Press.